Z7

45.70
Megapixels
Nikon Z35mm
size sensor
image of Nikon Z7
Front side of Nikon Z7 digital cameraFront side of Nikon Z7 digital cameraFront side of Nikon Z7 digital cameraFront side of Nikon Z7 digital cameraFront side of Nikon Z7 digital camera
Basic Specifications
Full model name:Nikon Z7
Resolution:45.70 Megapixels
Sensor size:35mm
(35.9mm x 23.9mm)
Kit Lens:2.92x zoom
24-70mm
(24-70mm eq.)
Viewfinder:EVF / LCD
Native ISO:64 - 25,600
Extended ISO:32 - 102,400
Shutter:1/8000 - 30 sec
Max Aperture:4.0 (kit lens)
Dimensions:5.3 x 4.0 x 2.7 in.
(134 x 101 x 68 mm)
Weight:41.4 oz (1,175 g)
includes batteries, kit lens
Availability:09/2018
Manufacturer:Nikon
Full specs:Nikon Z7 specifications
Things have been looking up for Nikon lately. As the company rounds out its year-long celebration of its hundredth anniversary, Its impressive D850 DSLR rules the roost as winner not just in the DSLR category of our 2017 Camera of the Year awards, but also the overall victor. But while it has clearly managed something really special with the D850 DSLR, Nikon can't help but to be aware of the burgeoning mirrorless market, which has continued to gain in popularity globally at the expense of DSLR sales. The potential of mirrorless has been made most obvious by the speed with which rival Sony's Alpha mirrorless camera line has gained in popularity and sales, even as Nikon has had to pull back from its own mirrorless offerings of days gone by due to lackluster sales.


Looking back at the 1-series and decade one of the mirrorless revolution

By coincidence, mirrorless cameras themselves are also celebrating an anniversary this year. It's been a full decade now since Olympus and Panasonic made waves in mid-2008 by announcing their Micro Four Thirds mirrorless camera standard. Nikon responded some three years later in mid-2011, launching its own Nikon 1 mirrorless lineup. The 1-series cameras were groundbreaking in some respects, with the world's first hybrid autofocus system in an ILC thanks to on-chip phase detection pixels, and capable of almost legendary burst-shooting and video-capture performance. They also took good advantage of the size and weight advantages possible with mirrorless designs, being far sleeker and more compact than their DSLR brethren.
Where the Nikon 1-series stumbled, though, was in the very place which allowed most of these other advantages: The sensor used in Nikon's early mirrorless models, while still huge in comparison to the compact cameras which were then just reaching their sales peak, was nevertheless relatively tiny when compared even to the APS-C sensors typically used in DSLRs at the time. While that sensor size allowed the small cameras and lenses for which the 1-series was known, as well as their incredible performance and autofocus, it also translated to a noticeable reduction in image quality versus larger-sensored rivals. Nikon put its heart and soul into the 1-series, but it still faded into the history books, underappreciated and unloved by most.
Nikon Z7 Review -- Product Image
Nikon's brand-new Z7 mirrorless camera, the flagship of its Z-mount compact system camera lineup.

The impressive Z7 and Z6 mark the start of Nikon's brand-new mirrorless strategy

Now, Nikon has gone back to the drawing board and reinvented its mirrorless strategy from the ground up. With the simultaneously-launched Nikon Z6 and Z7, the company aims to achieve the same success within the compact system camera market that it's managing in the DSLR market with cameras like the D850. In doing so, it has switched to a full-frame sensor size much like that used in many of Sony's popular Alpha-series mirrorless cameras, setting up a head-to-head battle which has us salivating.
[Ed. Note: For the sake of accuracy, we should note that the official naming for these newly-launched cameras is actually "Nikon Z 6" and "Nikon Z 7". However, we'll be referring to them as the Z6 and Z7 throughout this article, as the extra space makes things harder to read, but we can't really abbreviate to just 'Z' or '6'/'7' either.]
Nikon Z7 Review -- Product Image
The Nikon Z7 mirrorless camera as seen from the rear.

Key features of the Nikon Z7

We'll get down to all of the finer details in a moment, but right now we're sure you're itching to learn what the Nikon Z7 has to bring to the party. Let's quickly hit the high points:
  • Nikon's familiar DSLR ergonomics in a mirrorless form factor
  • Comprehensively dust/weather-sealed body (D850 class of protection)
  • 45.7-megapixel, full-frame Nikon FX-format BSI CMOS image sensor with on-chip focus pixels
  • ISO 64 - 25,600, expandable to ISO 32 - 102,400
  • Up to nine fps full-res burst capture with autofocus
  • Nikkor Z lens mount supports three S-Line lenses at launch and over a dozen by end of 2020
  • Supports Nikon F-mount lenses with Mount Adapter FTZ
  • Roomy and extremely high-res 3,690k-dot OLED electronic viewfinder with Nikkor optics
  • Generous 3.2-inch, 2,100k-dot tilting LCD touch-screen
Nikon Z7 Review -- Product Image
The Nikon Z7 mirrorless camera as seen from above.
  • Top-deck status OLED display
  • 493-point autofocus system works as low as -4 EV (ISO 100, f/2.0 lens, AF-S mode)
  • Five-stop, five-axis in-camera vibration reduction for both Z-mount and all adapted F-mount lenses. Lens-based VR also supported.
  • Shutter speeds from 1/8,000 to 30 plus bulb; x-sync at 1/200
  • Full-width 4Kp30 and 1080p120 movie capture, timecode, 10-bit HDMI and Log color profile
  • Also shoots 8K timelapse movies in-camera
  • Built-in SnapBridge Bluetooth/Wi-Fi communications
  • SuperSpeed USB Type-C connector and Type-C Mini HDMI connector, plus accessory terminal and 3.5mm mic/headphone jacks
  • Supports existing DSLR accessories like Advanced Wireless Lighting, WT-7 series wireless transmitters and EN-EL15 series batteries. New EN-EL15b can recharge in-camera
  • Dedicated, weather-sealed multi-power battery pack is in development
  • Available late September 2018 for US$3,400 body-only or US$4,000 with 24-70 f/4 lens
Nikon Z7 Review -- Product Image
The Nikon Z7 shown with 24-70mm zoom lens mounted.

The Nikon Z6 and Z7 compared

And now that we've got the basics covered, let's see what differs between the Nikon Z7 and its simultaneously-announced, more-affordable sibling. We should note that we're still awaiting clarification of some specs, so it's possible that this list may expand later. Watch this space:
  • The Nikon Z7 has a 45.7-megapixel sensor; the Z6 is 24.5-megapixel. (Total pixel counts are 46.89 mpix for Z7, and 25.28 mpix for Z6.)
  • The Z7 supports ISO 64 - 25,600 by default; the Z6 is ISO 100 - 51,200.
  • The Z7 can be expanded to ISO 32 - 102,400; the Z6 expands to 50 - 204,800.
  • The Z7 has 493 focus points; the Z6 has 273.
  • The Z7 shoots at nine fps full-res; the Z6 can manage 12 fps. If you enable 14-bit raw, the Z7 falls to 8 fps, while the Z6 can still manage 9 fps.
  • The Z7 meters down to -3 EV and focuses down to -1 EV ordinarily, while the Z6 can meter to -4 EV and focus to -2 EV. (However, in low-light AF mode, both cameras can focus down to -4 EV.)
  • Curiously, the Z6 has more powerful Wi-Fi and Bluetooth radios than does the Z7. (7.4 vs 7.0 dBm for 2.4 GHz Wi-Fi, 12.2/9.2 vs. 12.1/9.1 dBm for 5GHz Wi-Fi, 1.9 vs 1.5 dBm for Bluetooth and 0.4 vs 0 dBm for Bluetooth LE.)
  • The Z7 costs US$3,400 body-only at launch; the Z6 is US$2,000.
  • The Z7 comes bundled with the EH-7P charging AC adapter to charge batteries in-camera; the Z6 doesn't include this accessory in the standard package.
Nikon Z7 Review -- Product Image
The Nikon Z7 compared with Sony's Alpha A7R. Which would you choose?

Let's roll up our sleeves and talk details

But enough of the bullet points. As the Z6 and Z7 are brand-new cameras, we've a lot more to discuss here than usual. Now that you have a sense for where the Z7 sits compared to its sibling, let's get right down to the specifics and see what you can expect from Nikon's flagship full-frame mirrorless camera.
The first thing you're going to notice on picking up the Z7 is that it's very obviously a high-end Nikon camera. For one thing, it's no shelf queen: the Z7's body is designed to the same level of strength, durability and dust / drip resistance as the D850. And although the number and placement of controls does of necessity vary a fair bit to accommodate a smaller mirrorless form factor, a lot of the individual controls will be immediately familiar to a photographer shooting that same camera.
Nikon Z7 Review -- Product Image
At left, the Nikon D850 DSLR. At right, the Nikon Z7 compact system camera. The family resemblance is clear.

A brand-new body that nevertheless feels like an old friend

The cluster of controls around the shutter button, for example, is identical to the D850 almost right down to the individual button placements. You'll also find twin control dials front and rear, plus on the rear, a joystick control and an eight-way directional pad with central OK button. And nearby, you'll also find AF-ON and 'i' buttons. Delete and Play buttons can be found top left of the rear deck where you'd expect, and they're even separated by a little ridge as in the D850.
Really, the biggest UI differences are that four of the buttons which would have lined the left of the LCD on the D850 have instead jumped to the bottom right of the rear deck, and there's a traditional Mode dial with central lock button on the top deck in place of the wedding cake-style release mode dial topped by buttons which you'd on the D850. Getting familiarized with the Z7's controls should not take Nikonians long at all.
Nikon Z7 Review -- Product Image
At the heart of the Nikon Z7 is a brand-new, full-frame image sensor with 45.7-megapixel resolution.

A brand-new, very high-res sensor and EXPEED 6 processor

Let's return to the image sensor, next of all. As we said at the outset, it's a full-frame (or in Nikon parlance, FX-format) CMOS chip with an effective resolution of 45.7 megapixels from a total count of 46.89 megapixels and it does not include an Optical Low Pass Filter. The chip has dimensions of 35.9 x 23.9mm, and maximum image dimensions are 8,256 x 5,504 pixels. If using an APS-C sensor crop for a DX-format lens, the maximum image dimensions fall to 5,408 x 3,600 pixels, for an effective resolution of 19.5 megapixels.
As well as the ability to shoot a Dust Off reference photo to remove dust from your images using Nikon's Capture NX-D software, an image sensor cleaning function is included. (We don't currently have details on the specific system being used, however.)
The sensor is paired to a latest-generation version of Nikon's in-house image processor, dubbed EXPEED 6 in this incarnation. Nikon tells us that this latest variant of EXPEED allows for crisper rendering of subjects and lower noise levels than did past versions. To help you make the most of the Z7's detail-gathering capabilities, EXPEED 6 also brings with it a new mid-range sharpening function that can be used alongside of the existing sharpening and clarity functions seen in other recent Nikon cameras.
Nikon Z7 Review -- Product Image
The Nikon Z7's sensor is fairly glowing under our studio lighting in this shot!

A sensitivity range that's unusually generous at the bottom end, too

Together, the Nikon Z7's sensor and processor pairing allow a sensitivity range of ISO 64 to 25,600 equivalents, expandable to encompass everything from ISO 32 to 102,400 equivalents. That's a pretty broad range, and while we've certainly seen higher at the top end of the scale, it's at the bottom end where the Nikon Z7 really impresses. It's not often we see a camera which allows anything below ISO 100 by default!
And the burst capture rate of nine frames per second with autofocus at full resolution is pretty swift, too, especially when you bear in mind the Z7's high resolution of 45.7 megapixels. Do note that it's set with exposure locked from the first frame, however. Also, enabling 14-bit raw capture will strip another frame off the maximum rate, dropping it to 8 fps max. If you enable exposure adjustments between frames, the maximum capture rate plunges to a more modest 5.5 frames per second at full resolution, or 5 fps with 14-bit raw capture. And if you need a lower burst rate, options from 1 to 5 fps are also available.

Digital Cameras - Nikon Z7 Test Images

Not sure which camera to buy? Let your eyes be the ultimate judge! Visit our Comparometer(tm)to compare images from the Nikon Z7 with those from other cameras you may be considering. The proof is in the pictures, so let your own eyes decide which you like best!
This page may take a long time to load, due to the many thumbnails!
All images copyright © 2018 by The Imaging Resource. All rights reserved.
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  • When I compare with the D850 the results are virtually the same. I think the Pentax K-1 looks better because of less aggressive jpg sharpening and contrast. Things like small print may look sharper in the Nikon, but less contrasty areas look over processed and less so in the Pentax giving the appearance more detail is retained.(viewed at iso 12800)
      • Avatar
        Cool. These new non-beta raws extract nicely with RawTherapee. (Not so with the beta raws from a few weeks ago.)
          • Avatar
            Is it just me, or is there more detail in the red swatch on the D850 shot, than the Z7? It doesn't surprise me, with all the heat generated from live view, that eh D850 would be a little cleaner at high ISOs. I'm just surprised that the early reports that it surpassed the D850 were wrong.
              • Avatar
                 
                Actually, sadly, what's been happening is that the red swatch has been fading slowly over time; it's actually a shadow of its former self :-/ We've been planning to make an entirely new target for probably 2 years now, so have felt there wasn't any point in doing anything about the current fabrics. We're hoping to finally build the new target later this year and the first of next, once we get past the current glut of new models and our Camera/Lens of the Year awards. The main benefit of the new target is it'll be much flatter, so DOF won't be such an issue. We'll also make a number of fabric-swatch elements that we can rotate through the live target, so fading will be minimal. Meanwhile, though, I'm guessing that what you're seeing could be just additional fading between when the D850 and Z7 were shot :-/
              • Avatar
                The only people who don't like on-camera flashes are those who don't know how to use them. Nikon especially has great fill-flash capabilities—the trick is to turn the flash exposure compensation down at least 1.666 stops. That way it's invisible yet it chases out any color casts, fills eye sockets and wrinkles, and gives subjects just the right amount of lift so they look better than they do in real life. You can also gel it and use it to offset the ambient for some really great looks. 
                Tools, they're all tools.
                  • Avatar
                     
                    Hmmm, I know what you're saying in terms of fill-flash, but the thing that kiills any on-camera/axis flash for me is the horrible specular highlight that is rendered in the middle of one's subject's pupils. When I look back at my older once-in-lifetime moments of candid portraits in some distant tribal village, where I used on-camera fill, I curse myself at how people's beautiful eyes are turned into ghost-like specs of light...
                    Each to their own, but for me, I will not miss any on-camera flash.
                      • Avatar
                         
                        I will not miss the on-camera flash for 1 second. It's dinky, 9999 out of 10k it flips open when I don't intend it to and it takes only a little planning to have a proper tool with you. I find it amusing how ppl defend this piece of outdated tech. It may had some justification when off-camera flashes where scarce and expensive. That's no longer the case. A cheap Yongnuo 100€ kit flash+remote trigger is infinitely more creative and useful.
                          • Avatar
                             
                            Not even close to true. The other problem with on-camera flash is they compromise the weather sealing and ruggedness of the camera. But it's also an issue for the fact that the light source is so close to the lens, it exacerbates red eye. So a serious photographer is going to go with off-camera flash. (In case you don't think I know what I'm talking about, I've taught Magnum photographers to use bounce flash back in the Vivitar 283 days.)
                              • Avatar
                                 
                                Lol, my D800 has pretty good weather sealing.
                                  • Avatar
                                     
                                    Of course off-camera is better, but sometimes my speed light is back at the studio, or using it scares the livestock, or I just want to test myself to see if I can get the most out of every feature that Nikon put into the camera. 
                                    Now here's a more important question: When are you going to write an article for this site about Magnum photographers that you've known?
                                  • Avatar
                                    WAIT...why aren't they using leaf shutters?!
                                    Lots of folks whining about that 1/200th shutter, but maybe there's a non-body solution?
                                      • Avatar
                                         
                                        Leaf shutters don't allow for large apertures, or the lenses are going to be massive.
                                          • Avatar
                                             
                                            I hadn't considered that, but I'm still not convinced, since we aren't used to seeing leaf shutters in 135mm systems. Although, for a point of comparison, there are lenses in the Leica S "medium format" system that are focal plane shutter. They aren't small, but they have a larger image circle, and they're hand hold-able.
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                                              Like HSS? It works well, but has its downsides and this is a bit of a bummer for the the full-manual strobist. HSS is getting cheaper, though, with a lot of 3rd party and mostly manual flashes getting it.
                                              I’ve been eyeing the lp180r flashes to replace my lp180 flashes with crappy cactus v5s. They support HSS and even ttl, if you have the right radio trigger.
                                                • Avatar
                                                   
                                                  No, HSS is actually a hack that makes flash duration last longer. (Which is why you get less pops off in a sequence.)
                                                  A leaf shutter is generally just smaller and faster, so many of them sync 2-3 stops faster than a focal plane shutter.
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                                                      oh, you mean a non-body solution to leaf shutter? I thought you meant a non-body solution to flash sync being limited at 1/200th.
                                                      How about an ND filter and more powerful strobe? :)
                                                      I have a few fujis with leaf shutters and they can sync around 1/1000
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                                                          As a practical solution to controlling light level, you're 100% correct about an ND and more strobe power.
                                                          But as a practical solution to faster shutter speeds to freeze motion, nothing beats shorter exposure times.
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                                                      I started with the video (as I’m sure many do). Great presentation, thanks!
                                                      I’d never have thought I’d even consider FF again.
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                                                          What is the point of Beta gallery?
                                                          These pictures look bad for a 2018 full frame camera. I shot friends wedding last night with A7rm3. Some pretty high iso images and they look better than these samples here. My gut feeling is D850 would have done just as good or better jobs.
                                                          I guess Z7 is beta everything at this stage. I guess camera is not final. Sensor is not adjusted. It is prototype I guess.
                                                          Let's wait and see.....If this is the final quality .... well too bad for Nikon shooters. My advice would be look elsewhere.
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                                                              The gallery images from New York and Tokyo are pretty close to final. The last we heard was that firmware was final at that point, but the hardware wasn't. I think the IQ will be very close to final production.
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                                                                heads up:
                                                                NEF (BETA) GALLERY
                                                                came across corrupt NEF uploaded file:
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                                                                Y-BETA-DSC_0181.NEF (NEF looks corrupt) ... hoop girl
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                                                                tested with android RAW2DNG, Lightroom mobile, and Dcraw
                                                                downloaded twice (one hour apart)

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